Not sure whether Lang is that way or not, but clearly some approaches (to technique develpment) work well and others don't. I also wouldn't be surprised or dismayed to find they had strong opinions about such things. Obviously, they've tried a variety of approaches before finding something that worked consistently.
For that reason I'm more inclined to look to people like Lang, Virgil, Marco, Mangini or anyone who has achieved a lot of results with their methodology than someone who hasn't. The same goes for hand development. I'll take the opinion of Ken Mazur, Jim Kilpatrick, Rick Beckham, Harvey Dawson in heartbeat over most drumset players misguided ideas about rudiments and hand development.
Opinionated or not, these guys have the "gravitas" - how's that for a CNN word! - and can walk the walk. When it comes to sheer musicality, I'm not sure that can be taught. In some cases it clearly cannot. But I listen to people like Erskine, Carl Allen, Porcaro, Gadd, Billy Ward, Jim Black, TLC, Tain, and many others for guidance there.
Brad
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